Mindless Self Indulgence Alienating Our Audience Rar
If the 1960s can be seen as a period of creativity for rock and roll music, the early 1970s was generally a period of regression and decline. It was a period when many artists reached star status and found that their distinctive style could economically serve them well with repetitions of worn out copies of previous innovations. The music also reflected the fact that most student activists of the 1960s had entered the realm of gainful employment and were feeling far less rebellious. The brutality of the Kent and Jackson State massacres most assuredly added to the mood of apathy and passive acceptance of the status quo. But there was also the reality of certain successful struggles to liberalize sexual and drug taboos, if not actual laws, which led quite often to self-indulgence rather than a realization that there were broader political issues involved.
mindless self indulgence alienating our audience rar
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But our analysis of punk rock must address more than what the musicians have to say. To successfully analyze a cultural phenomenon in such a way as to productively intervene as communists in the class struggle in popular culture, we must address four major elements in a cultural exchange. These elements are the musician or cultural worker, the song or work itself, the audience, and the role of the capitalist cultural and media industries. In each concrete situation, at any particular moment in time, there will be uneven development of various aspects of each of these elements. Each must be understood separately and in their dialectical interconnection. 350c69d7ab
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